The Works of Shakespeare ...Bobbs-Merrill Company, 1907 |
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Pagina xi
... reason , of the second ; and the play is not furnished at the end with " the names of the actors , " as in the case of The Tempest , The Two Gentlemen of Verona , and Measure for Measure , three of the four preceding " Comedies . " We ...
... reason , of the second ; and the play is not furnished at the end with " the names of the actors , " as in the case of The Tempest , The Two Gentlemen of Verona , and Measure for Measure , three of the four preceding " Comedies . " We ...
Pagina xii
... reasons for change being discussed in the notes . ( a ) Instances of words or phrases having dropped out of the text : - * 1 . i . 61. We came aboard [ and put to sea , but scarce ] . * * II . i . 112. And so no man that hath a name ...
... reasons for change being discussed in the notes . ( a ) Instances of words or phrases having dropped out of the text : - * 1 . i . 61. We came aboard [ and put to sea , but scarce ] . * * II . i . 112. And so no man that hath a name ...
Pagina xxv
... reason to have been in Shakespeare's mind when engaged on the composition of his Errors . These are now set out at length , each followed by the corresponding passage in The Errors . It will be noticed that many of these passages come ...
... reason to have been in Shakespeare's mind when engaged on the composition of his Errors . These are now set out at length , each followed by the corresponding passage in The Errors . It will be noticed that many of these passages come ...
Pagina 4
... reason for any deviation from the spelling of the 66 IO 15 20 16 , 17 . seen 22. and to ] F 1 ; and Ff 1 , 2 , 3 . Folios , which also occurs in v . i . 124 : " a reverend Syracusian merchant . " Marshall points out that the form ...
... reason for any deviation from the spelling of the 66 IO 15 20 16 , 17 . seen 22. and to ] F 1 ; and Ff 1 , 2 , 3 . Folios , which also occurs in v . i . 124 : " a reverend Syracusian merchant . " Marshall points out that the form ...
Pagina 33
... reason ? 60 another dry basting . 47-49 . Was .. next time , Capell conj . 48. neither rhyme nor reason ] Com- pare Love's Labour's Lost , 1. i . 99 : " In reason nothing . Something then in rhyme " ; 1. ii . 112 : " A dangerous rhyme ...
... reason ? 60 another dry basting . 47-49 . Was .. next time , Capell conj . 48. neither rhyme nor reason ] Com- pare Love's Labour's Lost , 1. i . 99 : " In reason nothing . Something then in rhyme " ; 1. ii . 112 : " A dangerous rhyme ...
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Parole e frasi comuni
Antipholus of Ephesus Antipholus of Syracuse brother Capell conj chain cloake Collier comedies Compare line Craig didst dine dinner door doth DROMIO of Ephesus Dromio of Syracuse Duke Dyce Editor Enter ANTIPHOLUS Epidamnum Erot Erotium Errors Exeunt Exit fairy fetch Folio fool Gentlemen of Verona gold hair Hanmer hast hath Henry Henry IV Henry VI husband Keightley Love's Labour's Lost Luciana Malone master meaning Menaecmi Menechmus Merchant of Venice Merry Wives Mess Messenio Midsummer-Night's Dream mistress never Othello passage Peniculus Plautus play Pope pray quibble reading refers Richard III Romeo and Juliet rope's end Rowe says SCENE sense Shakespeare ship speak stale Steevens quotes Syracusian tell thee Theobald thou art Timon of Athens Titus Andronicus Twelfth Night villain Walker conj wife Wives of Windsor word
Brani popolari
Pagina xiv - As Plautus and Seneca are accounted the best for comedy and tragedy among the Latines, so Shakespeare among the English is the most excellent in both kinds for the stage...
Pagina 93 - He understood the speech of birds As well as they themselves do words ; Could tell what subtlest parrots mean, That speak and think contrary clean ; What member 'tis of whom they talk When they cry ' Rope,' and
Pagina xiii - The author is at home in his subject, and presents his views in an almost singularly clear and satisfactory manner. . . . The volume is a valuable contribution to one of the most difficult, and at the same time one of the most important subjects of investigation at the present day.
Pagina xxxii - THE myriad-minded man, our, and all men's, Shakspeare, has in this piece presented us with a legitimate farce in exactest consonance with the philosophical principles and character of farce, as distinguished from comedy and from entertainments.
Pagina 86 - I loved her most, and thought to set my rest On her kind nursery.