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" Not in the least: expression always arises directly from impressions. He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions: expressions themselves, conceived on other occasions, are fused together with the new in... "
Aesthetic: As Science of Expression and General Linguistic - Pagina 20
di Benedetto Croce - 1995 - 503 pagine
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A Text-book for the Study of Poetry

Francis M. Connell - 1913 - 236 pagine
..." He who conceives a tragedy puts into a crucible a great quantity, so to say, of impressions; the expressions themselves, conceived on other occasions,...with the new in a single mass, in the same way as we cast into a smelting furnace formless pieces of bronze and most precious statuettes." — B. CEOCE,...
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Benedetto Croce's Aesthetic Applied to Literary Criticism

K. M. Khadye - 1922 - 84 pagine
...final image is not conceived until it is produced. All earlier images have been works of art but they are "fused together with the new in a single mass," in the same way as we can cast: into a smelting furnace formless pieces of bronze and most precious statuettes. Before Croce, Schliermacher...
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A History of Modern Criticism, 1750-1950, Volume 8

René Wellek - 1955 - 388 pagine
...that precedes a genuine work of art is absorbed in a totally new act, or, in Croce 's striking image, "in the same way as we can cast into a melting furnace...formless pieces of bronze and choicest statuettes. Before there can be a new statue, the choicest statuettes must be melted just like the formless pieces"...
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