Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 8
Pagina 117
... Aristotle for regarding principles of creation , or construction , as principles of art . But then , he was a lesser man . A third normative theory that comes naturally to mind , because , although later than Poe's essay , it repre ...
... Aristotle for regarding principles of creation , or construction , as principles of art . But then , he was a lesser man . A third normative theory that comes naturally to mind , because , although later than Poe's essay , it repre ...
Pagina 118
... Aristotle remarks that Homer un- derstood the laws of organic composition by instinct , and in fact excelled all other poets in the same way ( 1451 b ) ; and elsewhere he says that the greatest thing in poetry is to be " a master of ...
... Aristotle remarks that Homer un- derstood the laws of organic composition by instinct , and in fact excelled all other poets in the same way ( 1451 b ) ; and elsewhere he says that the greatest thing in poetry is to be " a master of ...
Pagina 121
... Aristotle imputes to tragedy the prime office of inspir- ing pity and fear . Throughout the ages , the practice of artistic creation has seized on whatever occasions life offered ; and artistic excellence has usually been felt as an ...
... Aristotle imputes to tragedy the prime office of inspir- ing pity and fear . Throughout the ages , the practice of artistic creation has seized on whatever occasions life offered ; and artistic excellence has usually been felt as an ...
Altre edizioni - Visualizza tutto
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition concept connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form dynamic image effect elements emotion Ernest Nagel experience expressive form fact formulative function human feeling idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply song sound statement structure subjective SUSANNE LANGER T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words