Problems of Art: Ten Philosophical LecturesScribner, 1957 - 184 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 45
... living form . " We discussed yester- day why a form that expresses feeling appears not merely to connote it , as a meaning , but to contain it , as a quality . Since , however , we know that for a work to contain feeling is really to be ...
... living form . " We discussed yester- day why a form that expresses feeling appears not merely to connote it , as a meaning , but to contain it , as a quality . Since , however , we know that for a work to contain feeling is really to be ...
Pagina 53
... living form is inviolable form . And finally , the law of living form is the dialectic of growth and decay , with its characteristic biographical phases . In the higher organisms , secondary rhythms develop , specialized responses to ...
... living form is inviolable form . And finally , the law of living form is the dialectic of growth and decay , with its characteristic biographical phases . In the higher organisms , secondary rhythms develop , specialized responses to ...
Pagina 128
... living form . " The word " form " connotes to many people the idea of a dead , empty shell , a senseless formality , lip - service , and sometimes an imposed rule to which actions , speeches , and works must conform . Many people think ...
... living form . " The word " form " connotes to many people the idea of a dead , empty shell , a senseless formality , lip - service , and sometimes an imposed rule to which actions , speeches , and works must conform . Many people think ...
Altre edizioni - Visualizza tutto
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Problems of Art: Ten Philosophical Lectures Susanne Katherina Knauth Langer Visualizzazione estratti - 1957 |
Parole e frasi comuni
abstraction actual appearance Aristotle art symbol articulation artistic perception beauty Cecil Day Lewis Clive Bell color complex composition concept connotation convey creation Curt Sachs dance denotation devices discursive distinct dynamic form dynamic image effect elements emotion Ernest Nagel experience expressive form fact formulative function human feeling idea illusion imagination imitation import insight intuition intuitive knowledge Irwin Edman language lines literal living form logical form material meaning ment metaphor motion names nature normal object organic painting pattern perceive philosophical physical pictorial space picture plastic art poem poet poetic poetry present primary apparition primitive principles of art pure reality reason relations rhythmic rhythms Roger Fry sculpture seems semanticists semantics sense sensuous sentience shape significant form simply song sound statement structure subjective SUSANNE LANGER T. S. Eliot theory things thought tion tonal tones unity usually virtual space visual vital whole words