Collected Writings on PoetryThe phases of his critical writing are distinct, linked by a serious creative intent and a remarkable eloquence. From the 1925 volume Poetic Unreason and Other Studies to his collaborative works with Laura Riding (not included here), to The Common Asphodel (1949) and other work, much of it hard to find, Graves's concerns and discoveries are often momentous. It is as though, almost single-handed through the harsh anti-Romantic years and into the decades of irony, he maintained and defended the lyric tradition, making it classical and viable against the tide. As advocate, polemicist and mythographer, he has exercised a constant influence on poets, readers and critics ill at ease with fashion, hungry for the traditions that underlie the merely conventional. |
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Sommario
Observations on Poetry 19221925 | 1 |
The Future of Poetry | 25 |
Loving Mad Tom | 32 |
Copyright | |
20 sezioni non visualizzate
Altre edizioni - Visualizza tutto
Parole e frasi comuni
accepted alliteration ancient appears asked beauty become better called century Classical close contemporary course Court critical dead death early English experience eyes face father feel followed friends give Goddess Graves Greek hand head heart human Italy keep King language later Latin learned least leave less light lines literary live look lost lovers means metre Milton mind moon Muse natural never night once original Oxford perhaps play poem poet poetic poetry political present published readers reason records remain rhyme round rule seems sense Shakespeare sing song sort soul sound stanza suggested thee things thou thought tradition true turned University verse Virgil woman women Wordsworth write written wrote young