The Western Humanities Review, Volume 64Utah Humanities Research Foundation, 2010 |
Dall'interno del libro
Risultati 1-3 di 14
Pagina 90
... chords and who hear more history in them than in narrative , etc. alone have to continue to practice , even if with self- doubt , this sort of poetics . There will be no resolution of that chord . The word " chord " is half a mistake ...
... chords and who hear more history in them than in narrative , etc. alone have to continue to practice , even if with self- doubt , this sort of poetics . There will be no resolution of that chord . The word " chord " is half a mistake ...
Pagina 94
... chord from Stein not as often read , I think , as say the phrase " tender buttons " is the title Bee Time Vine . The three - word chord , relatively early , depends on a transition from seeming finicky , pettish , and sticky , a bit of ...
... chord from Stein not as often read , I think , as say the phrase " tender buttons " is the title Bee Time Vine . The three - word chord , relatively early , depends on a transition from seeming finicky , pettish , and sticky , a bit of ...
Pagina 96
... chord , these words tend to heighten the poem through crafted place- ments , derivative structures , and temporary emphasis . The " curve " is not , for instance , " the " secretly dominant word ( the hypogram ) in " To Brooklyn Bridge ...
... chord , these words tend to heighten the poem through crafted place- ments , derivative structures , and temporary emphasis . The " curve " is not , for instance , " the " secretly dominant word ( the hypogram ) in " To Brooklyn Bridge ...
Sommario
Figuration Susannah Nevison | 116 |
Amarna Relief | 124 |
SelfPortrait Against Myself | 138 |
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