The Western Humanities Review, Volume 64Utah Humanities Research Foundation, 2010 |
Dall'interno del libro
Risultati 1-3 di 53
Pagina 89
... poem is moving . It's at once a singular absence and a plurality . The poem has allusions , rhythms , shaky dialogue , line breaks enough to talk about for at least an hour with a class , and perhaps a semester . Milton taxed and ...
... poem is moving . It's at once a singular absence and a plurality . The poem has allusions , rhythms , shaky dialogue , line breaks enough to talk about for at least an hour with a class , and perhaps a semester . Milton taxed and ...
Pagina 96
... poetic . What can be said , though , is that from within the set , or from within this lexical chord , these words tend to heighten the poem through crafted place- ments , derivative structures , and temporary emphasis . The " curve ...
... poetic . What can be said , though , is that from within the set , or from within this lexical chord , these words tend to heighten the poem through crafted place- ments , derivative structures , and temporary emphasis . The " curve ...
Pagina 98
... poem didn't look on the page as it does : especially in its time , a staggering of unequal lines . It looked in his ... poem , the first line is the only ten - syl- lable line in the poem . The famous later line about the heave divides ...
... poem didn't look on the page as it does : especially in its time , a staggering of unequal lines . It looked in his ... poem , the first line is the only ten - syl- lable line in the poem . The famous later line about the heave divides ...
Sommario
Figuration Susannah Nevison | 116 |
Amarna Relief | 124 |
SelfPortrait Against Myself | 138 |
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