A New Chronology of Venetian Opera and Related Genres, 1660-1760From 1637 to the middle of the eighteenth century, Venice was the world center for operatic activity. No exact chronology of the Venetian stage during this period has previously existed in any language. This reference work, the culmination of two decades of research throughout Europe, provides a secure ordering of 800 operas and 650 related works from the period 1660 to 1760. Derived from thousands of manuscript news-sheets and other unpublished materials, the Chronology provides a wealth of new information on about 1500 works. Each entry in this production-based survey provides not only perfunctory reference information but also a synopsis of the text, eyewitness accounts, and pointers to surviving musical scores. What emerges, in addition to secure dates, is a profusion of new information about events, personalities, patronage, and the response of opera to changing political and social dynamics. Appendixes and supplements provide basic information in Venetian history for music, drama, and theater scholars who are not specialists in Italian studies. |
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Sommario
Figures | 7 |
Preface | 13 |
Figures | 14 |
Interpreting the Calendar of Venetian Opera | 21 |
Graphical view of the festive and religious segments of the year 2880 | 27 |
Proportional contribution of each theater to the total number of opera productions | 33 |
Principal bibliographies of Venetian opera by period of coverage | 37 |
Perspectives on the Repertory | 45 |
22228 | 103 |
65 | 109 |
Productions by theater 1670s vs 1680s | 137 |
Productions by theater 1680s vs 1690s | 192 |
A Series of Supplements | 543 |
Statistical overview of the supplements | 546 |
Dramas associated with Music | 563 |
Appendices | 647 |
Most prolific composers by decade | 46 |
Relationship of the dramma per musica to other theatrical works 171059 | 48 |
NonVenetian Italian dedicatees by region 16601759 | 54 |
Operas survived by the largest number of musical sources 16601760 | 61 |
Survival of scores in relation to libretti 16401759 | 62 |
Interrelationship between theaters theatrical periods dramaturgical types and entracte types | 67 |
User Guide | 68 |
Transliteration of Greek and Middle Eastern names | 75 |
A Chronology | 79 |
Productions by theater 1660s vs 1670s | 100 |
A5 Useful winter and spring dates 16601752 | 653 |
A9 Values for multiples of the zecchino | 659 |
Concordances and Statistical References | 675 |
Galvani I teatri musicali di Venezia nel secolo XVII | 682 |
Baselt Händel Handbuch HWV | 689 |
692 | |
704 | |
752 | |
766 | |
Parole e frasi comuni
According adapted Antonio appears arias Autumn St balli Dedicated ballo called Carlo cast century cited comedy composer Count court daughter December Dedicated dedicatee Diario ordinario Domenico dramma per musica duke earlier entry February Francesco Giuseppe given Goldoni Groppo included intermezzi issued Italy January king later letter librettist libretto Listed as Bonlini Listed as Galvani Maria Music attributed musica Performed musical sources known Naples noted November opened opera Performed at San period Pietro Pietro Metastasio presented prince production received reported revised revival Roman Rome San Cassiano San Giovanni Grisostomo San Moisè San Salvatore San Samuele sang Sartori scene Score SEASON singers SORTING DATE sources known Listed stage Stephen's story suggests Suppl Teatro Text attributed theater unknown Venetian Venice Wiel Winter Carnival