Club Cultures: Music, Media and Subcultural CapitalJohn Wiley & Sons, 23 ago 2013 - 203 pagine This is an innovative contribution to the study of popular culture, focusing on the youth cultures that revolve around dance clubs and raves. |
Sommario
Authenticities from Record Hops to Raves and the History of Disc Culture | 1947 |
around their Handbags | 1958 |
House | 1978 |
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Parole e frasi comuni
acid house advertisers aesthetic album argues artists audience authenticity band Bourdieu Britain British youth club cultures club organizers clubbers and ravers clubs and raves consumption Cultural Studies dance clubs dance music dancefloor dancehall dancers David Swindells disc cultures disc jockey disco discotheques discourses distinction drugs enculturation example fanzines flyers format Frith genres gigs Hebdige house music ideologies leisure live music London magazines mainstream mass media McRobbie Mecca Melody Maker moral panic Mungham music culture musicians niche Northern Soul performance pirate play politics popular culture popular music Press promote punk radio rave culture record companies record hops Record Mirror recorded music rock rock'n'roll scene sexuality Sharon and Tracy Shoom social groups social world Sociology sound space Stock/Aitken/Waterman style subcultural capital tabloids taste techno television tend underground venues working-class young youth culture youth subcultures
