Æsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 79
Pagina 26
... first degree is the expression , the second the concept : the first can stand without the second , but the second cannot stand without the first . There is poetry without prose , but not prose without poetry . Expression , indeed , is ...
... first degree is the expression , the second the concept : the first can stand without the second , but the second cannot stand without the first . There is poetry without prose , but not prose without poetry . Expression , indeed , is ...
Pagina 341
... first existence of the Idea is nature , and its first beauty is natural beauty . " This beauty , which is beauty for us and not for itself , has several phases , from that in which the concept is immersed in matter to the point of dis ...
... first existence of the Idea is nature , and its first beauty is natural beauty . " This beauty , which is beauty for us and not for itself , has several phases , from that in which the concept is immersed in matter to the point of dis ...
Pagina 448
... first ; whereas in the scientific order the Lyric occupies the first place indeed , if poetry is the representation of the infinite in the finite , the Lyric , in which difference prevails ( the finite , the subject ) , is its first ...
... first ; whereas in the scientific order the Lyric occupies the first place indeed , if poetry is the representation of the infinite in the finite , the Lyric , in which difference prevails ( the finite , the subject ) , is its first ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers