Æsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina xii
... Plotinus - The scientific tendency : Aristotle - The concepts of imitation and of imagination after Aristotle : Philos- tratus - Speculations on language 155 II ÆSTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE Middle Ages . Mysticism ...
... Plotinus - The scientific tendency : Aristotle - The concepts of imitation and of imagination after Aristotle : Philos- tratus - Speculations on language 155 II ÆSTHETIC IDEAS IN THE MIDDLE AGES AND RENAISSANCE Middle Ages . Mysticism ...
Pagina 166
... Plotinus that the two divided terri- tories are united and the beautiful and art are fused into a single concept , not by means of a beneficial absorption of the equivocal Platonic conception of beauty into the unequivocal conception of ...
... Plotinus that the two divided terri- tories are united and the beautiful and art are fused into a single concept , not by means of a beneficial absorption of the equivocal Platonic conception of beauty into the unequivocal conception of ...
Pagina 175
... Plotinus had connected them ; and the empty definitions of the beautiful by Cicero and other ancient writers were often repeated . Saint Augustine defined beauty in general as unity ( omnis pulchritudinis forma unitas est ) , and that ...
... Plotinus had connected them ; and the empty definitions of the beautiful by Cicero and other ancient writers were often repeated . Saint Augustine defined beauty in general as unity ( omnis pulchritudinis forma unitas est ) , and that ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers