Æsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
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Pagina xv
... SCHLEIERMACHER Esthetic of content and Æsthetic of form : meaning of the contrast- Friedrich Schleiermacher - Wrong judgements concerning him- Schleiermacher contrasted with his predecessors - Place assigned to Esthetic in his Ethics ...
... SCHLEIERMACHER Esthetic of content and Æsthetic of form : meaning of the contrast- Friedrich Schleiermacher - Wrong judgements concerning him- Schleiermacher contrasted with his predecessors - Place assigned to Esthetic in his Ethics ...
Pagina 314
... Schleiermacher's contribution is only of second - rate importance . " He further observes that Schleiermacher was primarily a theologian , and in philosophy more or less an amateur.3 Now it cannot be denied that Schleiermacher's ...
... Schleiermacher's contribution is only of second - rate importance . " He further observes that Schleiermacher was primarily a theologian , and in philosophy more or less an amateur.3 Now it cannot be denied that Schleiermacher's ...
Pagina 322
... Schleiermacher's æsthetic thought . Adding up the accounts of the whole statement of views , on the side of error and oversight we find first , ideas or types are not wholly excluded , in spite of all Schleiermacher's care and anxiety ...
... Schleiermacher's æsthetic thought . Adding up the accounts of the whole statement of views , on the side of error and oversight we find first , ideas or types are not wholly excluded , in spite of all Schleiermacher's care and anxiety ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers