Ęsthetic as Science of Expression and General Linguistic |
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Pagina 6
Without it no human knowledge or activity is possible ; but mere matter produces
animality , whatever is · brutal and impulsive in man , not the spiritual dominion ,
which is humanity . How often we strive to understand clearly what is passing ...
Without it no human knowledge or activity is possible ; but mere matter produces
animality , whatever is · brutal and impulsive in man , not the spiritual dominion ,
which is humanity . How often we strive to understand clearly what is passing ...
Pagina 75
could a non - spiritual activity ever be , an activity of nature , when we have no
other knowledge of activity save as spirituality , nor of spirituality save as activity ?
Nature is in this case , by definition , the merely passive , inert , mechanical ...
could a non - spiritual activity ever be , an activity of nature , when we have no
other knowledge of activity save as spirituality , nor of spirituality save as activity ?
Nature is in this case , by definition , the merely passive , inert , mechanical ...
Pagina 316
Ęsthetic activity as immanent and individual . and morality ) . Ethics represented
to him not only the science of morality but what others name Psychology or ,
better still , the Science or Philosophy of the Spirit . This explanation once given ...
Ęsthetic activity as immanent and individual . and morality ) . Ethics represented
to him not only the science of morality but what others name Psychology or ,
better still , the Science or Philosophy of the Spirit . This explanation once given ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
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abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers