Æsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
Risultati 1-3 di 46
Pagina 424
... ancient in the Middle Rhetoric ( which reached its highest development in the hands of Hermagoras of Temnos in the second century B.C. ) gradually diminished in volume with the decadence of the ancient world and the change in political ...
... ancient in the Middle Rhetoric ( which reached its highest development in the hands of Hermagoras of Temnos in the second century B.C. ) gradually diminished in volume with the decadence of the ancient world and the change in political ...
Pagina 426
... ancient , as we have seen ; and equally ancient is the style of exposition , consisting in the doctrine of a double form and the concept of ornate form . 4 The concept of " ornament " must have occurred spontaneously to the mind as soon ...
... ancient , as we have seen ; and equally ancient is the style of exposition , consisting in the doctrine of a double form and the concept of ornate form . 4 The concept of " ornament " must have occurred spontaneously to the mind as soon ...
Pagina 472
... ancient " and " modern " as equivalent to " ingenuous and sentimental he did not mean to deny that some " ancient " poets , in his sense of the word , could be found among contemporary writers ; the two characters might even be united ...
... ancient " and " modern " as equivalent to " ingenuous and sentimental he did not mean to deny that some " ancient " poets , in his sense of the word , could be found among contemporary writers ; the two characters might even be united ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers