Ęsthetic as Science of Expression and General Linguistic |
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Pagina 14
There is but one Ęsthetic , the science of intuitive or expressive knowledge ,
which is the ęsthetic or artistic fact . And this Ęsthetic is the true analogue of
Logic , which includes , as facts of the same nature , the formation of the smallest
and ...
There is but one Ęsthetic , the science of intuitive or expressive knowledge ,
which is the ęsthetic or artistic fact . And this Ęsthetic is the true analogue of
Logic , which includes , as facts of the same nature , the formation of the smallest
and ...
Pagina 37
While making a verbal pretence of agreeing , or yielding a feigned obedience ,
artists have , however , really always disregarded these laws of the kinds . Every
true work of art has violated some established kind and upset the ideas of the ...
While making a verbal pretence of agreeing , or yielding a feigned obedience ,
artists have , however , really always disregarded these laws of the kinds . Every
true work of art has violated some established kind and upset the ideas of the ...
Pagina 321
so far as they can be compared in respect of artistic perfection ” ( Vollkommenheit
in der Kunst ) . Given an artistic object perfect of its kind , it has an absolute value
which cannot be increased or diminished by anything else . If motions of the ...
so far as they can be compared in respect of artistic perfection ” ( Vollkommenheit
in der Kunst ) . Given an artistic object perfect of its kind , it has an absolute value
which cannot be increased or diminished by anything else . If motions of the ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers