Ęsthetic as Science of Expression and General Linguistic |
Dall'interno del libro
Risultati 1-3 di 38
Pagina 108
This last theory presents the process out of its true order , which indeed is not
merely upset but actually inverted ; for the artist does not proceed from external
reality , in order to modify it by approximating it to the ideal ; he goes from the ...
This last theory presents the process out of its true order , which indeed is not
merely upset but actually inverted ; for the artist does not proceed from external
reality , in order to modify it by approximating it to the ideal ; he goes from the ...
Pagina 316
As for the other distinction , it is true that art does realize itself in the external
world , but this fact is something superadded ( “ ein später Hinzukommendes " ) “
which stands to the internal fact as the communication of thought by means of ...
As for the other distinction , it is true that art does realize itself in the external
world , but this fact is something superadded ( “ ein später Hinzukommendes " ) “
which stands to the internal fact as the communication of thought by means of ...
Pagina 417
Form is Form is “ the external sensible limit , or mode of appearance of a thing , in
opposition to the kernel of the thing itself and to its essential and substantial
content . ” Content and form are both ęsthetic , and the ęsthetic interest
concerns ...
Form is Form is “ the external sensible limit , or mode of appearance of a thing , in
opposition to the kernel of the thing itself and to its essential and substantial
content . ” Content and form are both ęsthetic , and the ęsthetic interest
concerns ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers