Ęsthetic as Science of Expression and General Linguistic |
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Pagina 107
L beautiful or ugly , like every natural fact , according to the ideal connexions in
which they are placed . Some hold that those geometrical figures are beautiful
which point upwards , since they give the suggestion of firmness and of power .
L beautiful or ugly , like every natural fact , according to the ideal connexions in
which they are placed . Some hold that those geometrical figures are beautiful
which point upwards , since they give the suggestion of firmness and of power .
Pagina 259
2 But immediately afterwards Hogarth proclaims that there must also be
correspondence and agreement with the thing copied ; for " regularity , uniformity
and symmetry give pleasure in so far only as they serve to give the illusion of
faithful ...
2 But immediately afterwards Hogarth proclaims that there must also be
correspondence and agreement with the thing copied ; for " regularity , uniformity
and symmetry give pleasure in so far only as they serve to give the illusion of
faithful ...
Pagina 262
NeoThe Dutchman Hemsterhuis considered beauty as a phenomenon born of
the meeting between sensibility , which gives multiplicity , and the internal sense ,
which tends to unity ; hence the beautiful is “ that which exhibits the greatest ...
NeoThe Dutchman Hemsterhuis considered beauty as a phenomenon born of
the meeting between sensibility , which gives multiplicity , and the internal sense ,
which tends to unity ; hence the beautiful is “ that which exhibits the greatest ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione frammento - 1929 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers