Ęsthetic as Science of Expression and General Linguistic |
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Pagina 15
But when these words are taken as signifying what we have above defined , and
matter is understood as emotionality not ęsthetically elaborated , or impressions
, and form as intellectual activity and expression , then our view ca be in doubt .
But when these words are taken as signifying what we have above defined , and
matter is understood as emotionality not ęsthetically elaborated , or impressions
, and form as intellectual activity and expression , then our view ca be in doubt .
Pagina 18
Criticism of the The theory of the esthetic senses has also arisen from theory of
esthetic senses . the failure to establish , or from having lost to view , the
character of expression as distinct from impression , of form as distinct from
matter .
Criticism of the The theory of the esthetic senses has also arisen from theory of
esthetic senses . the failure to establish , or from having lost to view , the
character of expression as distinct from impression , of form as distinct from
matter .
Pagina 19
All impressions are placed by it on a level , in so far as they are ęstheticized . A
man who absorbs the subject of a picture or poem does not have it before him as
a series of impressions , some of which have prerogatives and precedence over
...
All impressions are placed by it on a level , in so far as they are ęstheticized . A
man who absorbs the subject of a picture or poem does not have it before him as
a series of impressions , some of which have prerogatives and precedence over
...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
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abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers