Ęsthetic as Science of Expression and General Linguistic |
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Pagina 1
I INTUITION AND EXPRESSION KNOWLEDGE has two forms : it is either intuitive
know- Intuitive ledge or logical knowledge ; knowledge obtained through
knowledge . the imagination or knowledge obtained through the intellect ;
knowledge ...
I INTUITION AND EXPRESSION KNOWLEDGE has two forms : it is either intuitive
know- Intuitive ledge or logical knowledge ; knowledge obtained through
knowledge . the imagination or knowledge obtained through the intellect ;
knowledge ...
Pagina 56
This word , then , indicates a situation in which knowledge is , or may easily be ,
not a special form of knowledge . So true is this , that it would be altogether
impossible to establish whether a given order of knowledge were , intrinsically ,
pure ...
This word , then , indicates a situation in which knowledge is , or may easily be ,
not a special form of knowledge . So true is this , that it would be altogether
impossible to establish whether a given order of knowledge were , intrinsically ,
pure ...
Pagina 111
This volitional fact of externalization is preceded by a The technique complex of
various kinds of knowledge . These are known of externalizaas technique , like
all knowledge which precedes a practical activity . Thus we talk of an artistic ...
This volitional fact of externalization is preceded by a The technique complex of
various kinds of knowledge . These are known of externalizaas technique , like
all knowledge which precedes a practical activity . Thus we talk of an artistic ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione frammento - 1929 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers