Ęsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
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Pagina 366
... mind of the artist : such as the content is , such is the form . " Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
... mind of the artist : such as the content is , such is the form . " Between form and content there is at the same time identity and diver- sity . In a work of art the content , which had been lying in a chaotic state in the mind of the ...
Pagina 412
... mind character- istic of the Romantic period of which Nietzsche was , in many respects , a belated but magnificent representative . To Romanticism , as well as to Schopenhauer , belong the elements of thought which issued in the ...
... mind character- istic of the Romantic period of which Nietzsche was , in many respects , a belated but magnificent representative . To Romanticism , as well as to Schopenhauer , belong the elements of thought which issued in the ...
Pagina 432
... mind for greater liberty ; and , as we have remarked elsewhere , it may have in- fluenced Vico , who , in framing his new concept of poetical imagination , recognized that it necessitated a wholesale reconstruction of the theory of ...
... mind for greater liberty ; and , as we have remarked elsewhere , it may have in- fluenced Vico , who , in framing his new concept of poetical imagination , recognized that it necessitated a wholesale reconstruction of the theory of ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers