Ęsthetic as Science of Expression and General Linguistic |
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Pagina 16
Criticism ofthe imitation of nature and of the artistic illusion. The msthetic fact,
therefore, is form, and nothing but form.From this was inferred not that the content
is some— thing superfluous (it is, on the contrary, the necessary point of
departure ...
Criticism ofthe imitation of nature and of the artistic illusion. The msthetic fact,
therefore, is form, and nothing but form.From this was inferred not that the content
is some— thing superfluous (it is, on the contrary, the necessary point of
departure ...
Pagina 168
Hence he who despised the arts (Plato), because they imitated nature, was
wrong; whereas the truth is, in the first place, that nature itself imitates the idea,
and then that the arts do not simply limit themselves to imitating what the eyes
see, but ...
Hence he who despised the arts (Plato), because they imitated nature, was
wrong; whereas the truth is, in the first place, that nature itself imitates the idea,
and then that the arts do not simply limit themselves to imitating what the eyes
see, but ...
Pagina 341
Hegel, who distinguishes himself not by denying it but by proceeding with the
utmost inconsequence to deal at length with the beautiful in nature. It is in fact not
clear whether he means that really no beauty exists in nature and that man ...
Hegel, who distinguishes himself not by denying it but by proceeding with the
utmost inconsequence to deal at length with the beautiful in nature. It is in fact not
clear whether he means that really no beauty exists in nature and that man ...
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Sommario
THEORY OF ZESTHETIC | 4 |
Intuitive knowledgeIts independence with respect to intellectual know | 11 |
III | 22 |
Copyright | |
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract aesthetic fact aestheticians affirmation ancient appearance Aristotle artificial artistic Asth Asthetik Baumgarten beauty called century character cognitive colours comic concept confused consciousness criticism Critique of judgment Danzel defined definition difficulty distinct doctrine error exist expression external faculty feeling field figures finally find fine first genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual infinite influence intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Leipzig Linguistic literary logical matter means metaphysical moral msthetic Naples nature object observations painting Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet poetic poetry practical principle produced pure Quintilian reality reason reflexion representation reproduction Rhetoric scientific Scienza nuova sensation sense sensible signification Solger soul spirit sublime suffice taste theoretical theory things thought tion treatises true truth ugly unity universal Vico word writers