Æsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
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Pagina 451
... painting with poetry . If not every use to which language is put is poetic , Lessing holds that not every use of natural coexistent signs is pictorial painting , like language , has its prose . Prosaic painters are those who represent ...
... painting with poetry . If not every use to which language is put is poetic , Lessing holds that not every use of natural coexistent signs is pictorial painting , like language , has its prose . Prosaic painters are those who represent ...
Pagina 453
... ( painting ) , and , in either case , is a union of concepts and bodies : if you take corporality without concept ... painting , secular music and romantic poetry . Herbart was im- placable against those who look in one art for the per ...
... ( painting ) , and , in either case , is a union of concepts and bodies : if you take corporality without concept ... painting , secular music and romantic poetry . Herbart was im- placable against those who look in one art for the per ...
Pagina 454
... painting ; arts of the ear- ( a ) prose , ( b ) the art of language , ( c ) poetry.2 3 The two most recent systems of classification are furnished by Schasler and Hartmann , who have also submitted the schemes of their predecessors to ...
... painting ; arts of the ear- ( a ) prose , ( b ) the art of language , ( c ) poetry.2 3 The two most recent systems of classification are furnished by Schasler and Hartmann , who have also submitted the schemes of their predecessors to ...
Altre edizioni - Visualizza tutto
Esthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Æsthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract æsthetic activity æsthetic fact æstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers