Ęsthetic as Science of Expression and General LinguisticMacmillan and Company, limited, 1929 - 503 pagine |
Dall'interno del libro
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Pagina 114
... particular arts . particular arts are imagined , to answer such questions as : What are the limits of each art ? What can be represented with colours , and what with sounds ? What with simple monochromatic lines and what with touches of ...
... particular arts . particular arts are imagined , to answer such questions as : What are the limits of each art ? What can be represented with colours , and what with sounds ? What with simple monochromatic lines and what with touches of ...
Pagina 295
Benedetto Croce. " " far as it is God in a particular form ; every idea , therefore , is equal to God , but to a particular god . Characteristic of all the gods is pure limitation and indivisible absolute- ness Minerva is the idea of ...
Benedetto Croce. " " far as it is God in a particular form ; every idea , therefore , is equal to God , but to a particular god . Characteristic of all the gods is pure limitation and indivisible absolute- ness Minerva is the idea of ...
Pagina 458
... particular arts to be devoid of asthetic value . But Schleiermacher does not draw this logical inference , he wavers and hesitates : he recognizes the inseparability of the subjective and objective , musical and figurative , elements in ...
... particular arts to be devoid of asthetic value . But Schleiermacher does not draw this logical inference , he wavers and hesitates : he recognizes the inseparability of the subjective and objective , musical and figurative , elements in ...
Altre edizioni - Visualizza tutto
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione completa - 1909 |
Parole e frasi comuni
abstract ęsthetic activity ęsthetic fact ęstheticians ancient appearance Aristotle artistic Asth Ästhetik Baumgarten called century character cognition colours comic concept concrete consciousness criticism Critique of Judgment Croce Danzel definition distinction doctrine error Esthetic exist expression external faculty feeling figurative arts genius Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual intellectual intuition intuitive knowledge Italian Italy judgement Kant kinds knowledge language Leibniz Leipzig Linguistic literary logical matter means Menendez y Pelayo metaphysical moral Naples natural beauty object observations painting perfection philo philosophy physical Plato pleasure Plotinus poet Poetics poetry practical principle produced psychological pure Quintilian reason reflexion relation representation Rhetoric Sanctis Schelling Schiller Schleiermacher Schopenhauer scientific Scienza nuova sensation sense sensible Solger soul spirit sublime taste theoretical theory things thought tion treatises true truth ugly unity universal Vico Vischer Vorles word writers