Ęsthetic as Science of Expression and General Linguistic |
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Pagina 138
The same is true of the division into oriental art , representing imperfection of form
; classical , perfection of form ; romantic or modern , perfection of content and of
form . Thus classic and romantic have also received , among their many other ...
The same is true of the division into oriental art , representing imperfection of form
; classical , perfection of form ; romantic or modern , perfection of content and of
form . Thus classic and romantic have also received , among their many other ...
Pagina 217
The sensitive perfection of Cartesianism and Wolffianism was liable to be
confused with simple pleasure , with the feeling of the perfection of our organism :
4 but Baumgarten falls into no such confusion . When in 1745 one Quistorp
combated ...
The sensitive perfection of Cartesianism and Wolffianism was liable to be
confused with simple pleasure , with the feeling of the perfection of our organism :
4 but Baumgarten falls into no such confusion . When in 1745 one Quistorp
combated ...
Pagina 265
3 In truth it seems as though Mengs never arrived at a formula satisfactory to
himself , although he conformed more or less to Winckelmann's doctrine that “
beauty consists in material perfection according to our ideas ; and since God
alone is ...
3 In truth it seems as though Mengs never arrived at a formula satisfactory to
himself , although he conformed more or less to Winckelmann's doctrine that “
beauty consists in material perfection according to our ideas ; and since God
alone is ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione frammento - 1929 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers