Ęsthetic as Science of Expression and General Linguistic |
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Pagina 194
For “ if poetry desired to be mistaken for truth , the end she had in view would be
a lie , by the laws of nature and of God doomed inevitably to perish : for a lie is
nothing but an untruth uttered in the hope that it may be mistaken for truth .
For “ if poetry desired to be mistaken for truth , the end she had in view would be
a lie , by the laws of nature and of God doomed inevitably to perish : for a lie is
nothing but an untruth uttered in the hope that it may be mistaken for truth .
Pagina 215
As a good objectivist he asserts that truth in the metaphysical sense has its
counterpart in the soul , namely , subjective truth , logical truth in a wide sense ,
or ęsthetico - logical.2 And the complete truth lies not in the genus or species ,
but in ...
As a good objectivist he asserts that truth in the metaphysical sense has its
counterpart in the soul , namely , subjective truth , logical truth in a wide sense ,
or ęsthetico - logical.2 And the complete truth lies not in the genus or species ,
but in ...
Pagina 317
truth . between the fact of passion and its physical manifestation . Artistic activity “
belongs to those human activities in which we presuppose the individual in its
differentiation ; it belongs equally to those activities developing essentially within
...
truth . between the fact of passion and its physical manifestation . Artistic activity “
belongs to those human activities in which we presuppose the individual in its
differentiation ; it belongs equally to those activities developing essentially within
...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers