Ęsthetic as Science of Expression and General Linguistic |
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Benedetto Croce. Unity and indz'visibility of the work of art. the moment in which it
dominates; and so does every expression. Another corollary of the conception of
expression as activity is the indivisz'bility of the work of art. Every expression is ...
Benedetto Croce. Unity and indz'visibility of the work of art. the moment in which it
dominates; and so does every expression. Another corollary of the conception of
expression as activity is the indivisz'bility of the work of art. Every expression is ...
Pagina 150
Finally, the search for a' model language, or for a method of reducing linguistic
usage to unity, arises from the superstition of- a rationalistic measure of the
beautiful, from that concept which we have called false aesthetic absoluteness. In
Italy ...
Finally, the search for a' model language, or for a method of reducing linguistic
usage to unity, arises from the superstition of- a rationalistic measure of the
beautiful, from that concept which we have called false aesthetic absoluteness. In
Italy ...
Pagina 262
The Dutchman Hemsterhuis considered beauty as a phenomenon born of the
meeting between sensibility, which gives multiplicity, and the internal sense,
which tends to unity; hence the beautiful is “ that which exhibits the greatest
number of ...
The Dutchman Hemsterhuis considered beauty as a phenomenon born of the
meeting between sensibility, which gives multiplicity, and the internal sense,
which tends to unity; hence the beautiful is “ that which exhibits the greatest
number of ...
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Sommario
THEORY OF ZESTHETIC | 4 |
Intuitive knowledgeIts independence with respect to intellectual know | 11 |
III | 22 |
Copyright | |
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Parole e frasi comuni
abstract aesthetic fact aestheticians affirmation ancient appearance Aristotle artificial artistic Asth Asthetik Baumgarten beauty called century character cognitive colours comic concept confused consciousness criticism Critique of judgment Danzel defined definition difficulty distinct doctrine error exist expression external faculty feeling field figures finally find fine first genius Giambattista Vico hedonism Hegel Herbart Herbartian human ideal ideas imagination imitation impressions individual infinite influence intellectual intuition intuitive knowledge Italian Italy judgement Kant knowledge language Leibniz Leipzig Linguistic literary logical matter means metaphysical moral msthetic Naples nature object observations painting Patrizzi perfection philo philosophy physical Plato pleasure Plotinus poet poetic poetry practical principle produced pure Quintilian reality reason reflexion representation reproduction Rhetoric scientific Scienza nuova sensation sense sensible signification Solger soul spirit sublime suffice taste theoretical theory things thought tion treatises true truth ugly unity universal Vico word writers