Ęsthetic as Science of Expression and General Linguistic |
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Pagina 110
Artists sometimes adopt empirical canons , such as that of the proportions of the
human body , or of the golden section , that is to say , of a line divided into two
parts in such a manner that the less is to the greater as is the greater to the whole
...
Artists sometimes adopt empirical canons , such as that of the proportions of the
human body , or of the golden section , that is to say , of a line divided into two
parts in such a manner that the less is to the greater as is the greater to the whole
...
Pagina 147
And what is the art of a given people but the whole of its artistic products ? What
is the character of an art ( for example of Greek art or Provenēal literature ) but the
whole physiognomy of those products ? And how can such a question be ...
And what is the art of a given people but the whole of its artistic products ? What
is the character of an art ( for example of Greek art or Provenēal literature ) but the
whole physiognomy of those products ? And how can such a question be ...
Pagina 415
A man standing passively at gaze may well imagine himself in possession of the
visible world as an immense , rich , varied whole : the entire absence of fatigue
with which he traverses the infinite mass of visual impressions , the rapidity with ...
A man standing passively at gaze may well imagine himself in possession of the
visible world as an immense , rich , varied whole : the entire absence of fatigue
with which he traverses the infinite mass of visual impressions , the rapidity with ...
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Aesthetic as Science of Expression and General Linguistic Benedetto Croce Visualizzazione completa - 1922 |
Esthetic as Science of Expression and General Linguistic: Tr. from the ... Benedetto Croce Visualizzazione frammento - 1909 |
Parole e frasi comuni
abstract according action activity ęsthetic already appearance artistic attempt beauty become called century character concept confused consists criticism definition determinate distinction distinguished doctrine element error example exist expression external fact faculty feeling figures genius give given hand human ideal ideas imagination imitation important impressions individual intellectual intuition Italy judgement Kant kinds knowledge language laws less limits Linguistic literary logical matter means merely method mind moral nature never object observations origin painting particular perfection philosophy physical pleasing pleasure poet Poetics poetry possess possible practical present principle problem produced pure question reality reason recognize relation represent representation Rhetoric scientific sense side sometimes speak spirit taste theoretical theory things thought tion true truth ugly universal various whole writers