A Critical Introduction to Henry Green’s Novels: The Living Vision

abstract abstract art artistic aspects attitude audio-visual counterpoint basic beauty Bert Jones birds Caught characters Charley colours Concluding conflict of graphic conflict of masses conflict of planes context contrast Craigan create Cubism dance dark death Doting dovecote doves Dupret dynamic Eames Eameses Edge's Edith Eisenstein emotional emphasis added existentialist factory film filmic function garden girls graphic directions Green's fiction Green's novels Henry Green human Ibid imagery images ironic irony Jay Leyda Jim Dale juxtaposed juxtaposition life's light Lily Lily's Living London M. H. Abrams man's meaning metaphor Miss Fellowes montage conflicts narrative nature Northrop Frye Novelist party goers Party Going passage pattern peacocks perception pigeons poetic present Raunce Raunce's reader reality reflect reveals Richard Rock Rock's rose scene Sebastian sense sensual Sergei Eisenstein Shakespearean comedy significance structure suggests sunlight symbolic T. S. Eliot technique thematic themes tone values vision visual vital window