consisting of six steps, was covered with a multitude of Cupids,1 (chosen out of the best and most ingenious youth of the kingdom, noble, and others) that were the torch-bearers; and all armed with bows, quivers, wings, and other ensigns of love. On the sides of the throne were curious and elegant arbours appointed; and behind, in the back part of the isle, a grove of grown trees laden with golden fruit, which other little Cupids plucked, and threw at each other, whilst on the ground leverets 2 picked up the bruised apples, and left them half eaten. The ground-plat of the whole was a subtle indented maze: and in the two foremost angles were two fountains that ran continually, the one Hebe's,3 the other Hedone's: in the arbours were placed the musicians, who represented the shades of the old poets, and were attired in a priest-like habit of crimson and purple, with laurel garlands. The The colours of the masquers were varied; the one half in orange-tawny and silver: the other in sea-green and silver. bodies and short skirts on white and gold to both. The habit and dressing for the fashion was most curious, and so exceeding in riches, as the throne whereon they sat seemed to be a mine of light, struck from their jewels and their garments. This throne, as the whole island moved forward on the water, had a circular motion of its own, imitating that which we call motum mundi, from the east to the west, or the right to the left side. For so Hom. Ilia. μ, understands by değia, Orientalia mundi : by agiorega, Occidentalia. The steps whereon the Cupids sat had a motion contrary, with analogy ad motum planetarum, from the west to the east: both which turned with their several lights. And with these three varied motions, at once, the whole scene shot itself to the land. Above which, the moon was seen in a silver chariot, drawn by virgins, to ride in the clouds, and hold them greater light with the sign Scorpio, and the character, placed before her. 1 The inducing of many Cupids wants not defence, with the best and most received of the ancients, besides Prop. Stat. Claud. Sido. Apoll. especially Phil. in Icon. Amor. whom I have particularly followed in this description. 2 They were the notes of loveliness, and sacred to Venus. place mentioned. 3 Of youth. See Phil. in that 4 Of pleasure. The order of the scene was carefully and ingeniously disposed; and as happily put in act (for the motions) by the king's master carpenter. The painters, I must needs say (not to belie them) lent small colour to any to attribute much of the spirit of these things to their pencils. But that must not be imputed a crime, either to the invention or design. Here the loud music ceased; and the musicians, which were placed in the arbours, came forth through the mazes to the other land: singing this full song, iterated in the closes by two Echoes, rising out of the fountains. When Love at first, did move 1 Ech. As now! Yield Night, then to the light, 2 Ech. As now! As BLACKNESS hath to BEAUTY: It was for Beauty 2 that the world was made, 2 Ech. Admit no shade. Which ended, Vulturnus, the wind, spake to the river Thamesis, that lay along between the shores, leaning upon his urn, that flowed with water, and crowned with flowers; with a blue cloth of silver robe about him; and was personated by Master Thomas Giles, who made the dances. Vul. Rise, Agéd Thames, and by the hand Receive these nymphs, within the land. And in those curious squares and rounds 1 So is he feigned by Orpheus, to have appeared first of all the gods, awakened by Clotho; and is therefore called Phanes, both by him and Lactantius. 2 An agreeing opinion, both with divines and philosophers, that the great artificer, in love with his own idea, did therefore frame the world. 3 Alluding to the name of Himerus, and his signification in the name, which is Desiderium post aspectum; and more than Eros, which is only Cupido, ex aspectu amare. Of fruitful Kent and Essex fair That lends the garlands for thy hair; Whilst we, again, to sea are fled. With which the Winds departed; and the river received them into the land, by couples and fours, their Cupids coming before them. These dancing forth a most curious dance, full of excellent device and change, ended it in the figure of a diamond, and so, standing still, were by the musicians with a second SONG, sung by a loud tenor, celebrated. So Beauty on the waters stood, When Love had severed earth from flood! 1 So when he parted air from fire, He did with concord all inspire! And then a motion he them taught, That elder than himself was thought. Which thought was, yet, the child of earth,2 The song ended; they danced forth their second dance, more subtle If all these Cupids, now were blind, Or play should put it in their mind And each one wound his mother! 1 As, in the creation, he is said by the ancients to have done. 2 That is, born since the world, and out of those duller apprehensions that did not think he was before. 3 I make these different from him which they feign cæcum Cupidinem, or petulantem, as I express beneath in the third song, these being chaste Loves that attend a more divine Beauty than that of Love's common parent. Which was seconded by another treble, thus: It was no policy of court, Albe' the place were charmed, So many Loves in, armed. For say, the dames should, with their eyes To which a tenor answered: Yes, were the Loves or false or straying; Or beauties not their beauty weighing: But here no such deceit is mixed, Their flames are pure, their eyes are fixed: But strike a music of like hearts. After which songs they danced galliards and corantos; and with those excellent graces, that the music appointed to celebrate them, showed it could be silent no longer; but, by the first tenor, admired them thus: SONG. Had those that dwelt in error foul, But seen these move; they would have then Said, women were the souls of men : So they do move each heart and eye, Here they danced a third most elegant and curious dance, and not to be described again by any art but that of their own footing, which ending in the figure that was to produce the fourth, JANUARY from his state saluted them thus: Janu. Your Grace is great, as is your Beauty, dames; Enough my feasts have proved your thankful flames. Now use your seat: that seat which was, before, Thought straying, uncertain, floating to each shore, 1 There hath been such a profane paradox published. 2 The Platonic's opinion. See also Mac. lib. 1 and 2, Som. Sc. 1 : And to whose having 1 every clime laid claim, At which they danced their last dance into their throne again; and that turning, the scene closed with this full SONG. Still turn and imitate the heaven In motion swift and even ; And as his planets go, Your brighter lights do so; May youth and pleasure ever flow. But let your State the while, Be fixéd as the isle. Cho. So all that see your beauties sphere, May know the Elysian fields are here. 1 Ech. The Elysian fields are here, The persons who were received on land by the river god were— The QUEEN. Countess of ARUNDEL, Countess of DERBY. Countess of BEDFORD. Countess of MONTGOMERY. Lady ELIZ. GUILFORD. Lady ARABELLA. Lady KAT. PETER. Lady ANNE WINTER. Lady ANNE CLIFFORD. Lady CHICHESTER. Lady WALSINGHAM. 1 For what country is it thinks not her own beauty fairest, yet? |