Changing Patrons: Social Identity and the Visual Arts in Renaissance FlorencePenn State Press |
Sommario
Family SelfFashioning | 17 |
Private Wealth and Public Bencfit | 35 |
Family Church Community The Appearance of Power in Santo Spirito | 63 |
Patronage and the Art of Friendship Piero del Puglieses Patronage of Filippino Lippi | 85 |
Patronage Rights and Wrongs Building Identity at Santa Maria a Lecceto | 101 |
Framing Patronage Beauty and Order in the Church of the Innocenti | 119 |
Differing Visions Image and Audience in the Florentine Church | 139 |
Painted Prayers Savonarola and the Audience of Images | 155 |
CONCLUSIONS AND QUESTIONS | 189 |
Altre edizioni - Visualizza tutto
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence Jill Burke Anteprima non disponibile - 2004 |
Parole e frasi comuni
Alessandro altar altarpiece artist Bartolommeo biancho Botticelli building c[i]oppa Carmine Catasto Cestello chapel Chapter Checca Chiesa church circa coltrice commissioned d'ariento d'ottone decoration denari detto discussed Domenico Domenico Ghirlandaio donna F. W. Kent fifteenth century Figure Filippino Lippi Filippo Strozzi filo Florence Florentine florins foderato Francesco del Pugliese friars Gangalandi Ghirlandaio Giovanni guanciali Ibid images Innocenti inventory Jacopo Lecceto Lenzi lettiera lettuccio libro lineage Lorenzo luogo Lutozzo Nasi Medici mezzani Mozzi Museum Nasi nero Niccolò nostrale opera Ospedale degli Innocenti pagonazzo painters painting paio palace Palazzo Palazzo Strozzi panel panno patron patronage rights patronatus Piazza Piero del Pugliese Piero di Cosimo popolo portrait predella Pugliese's quattrocento relationship Renaissance Renaissance Florence rensa ricordanze Saint Bernard Saint Jerome San Marco Santa Maria Santo Spirito Savonarola sciugatoi seems sermons Seta social Sommaia suggest terza parte d'uno tovaglia Trexler trista usata usate usati usato verghe Virgin to Saint visual arts
Brani popolari
Pagina xii - The research and writing of this book would not have been possible without financial assistance from the British Academy
Pagina 7 - spirit in the buildings he founded, something of his reticence and lucidity. his seriousness and his restraint.
Pagina xii - and the Harvard University Center for Italian Renaissance Studies, Villa I Tatti.