All thy remaining life should sunshine be; Art got at last to shore. " As a fair morning of the blessed spring, But then, alas! to thee alone, For every tree and every herb around The fruitful seed of Heaven did brooding lie, It did all other threats surpass, When God to his own people said (The men whom through long wanderings he had led) That he would give them ev'n a heaven of brass: They look'd up to that Heaven in vain, strain Upon the most unjust to shine and rain. "When my new mind had no infusion known, Thou gav'st so deep a tincture of thine own, That ever since I vainly try To wash away th' inherent dye: Long work perhaps may spoil thy colours quite; To all the ports of honour and of gain, Thy gale comes cross, and drives me back again. This was my error, this my gross mistake. "Teach me not then, O thou fallacious Muse! The court, and better king, t'accuse: The heaven under which I live is fair, The fertile soil will a full harvest bear : "The Rachel, for which twice seven years and more Thine, thine is all the barrenness; if thou Thou didst with faith and labour serve, Though she contracted was to thee, Given to another, who had store Of fairer and of richer wives before, Give thee, to fling away But think how likely 'tis that thou, Thus spake the Muse, and spake it with a smile, The melancholy Cowley said - When in the cradle innocent I lay, Still I rebel, still thou dost reign; Mak'st me sit still and sing, when I should plough. slow; Thou! who rewardest but with popular breath, And that too after death." HYMN TO LIGHT. FIRST-BORN Of Chaos, who so fair didst come The melancholy mass put on kind looks and Thou tide of glory, which no rest dost know, Thou golden shower of a true Jove! Who does in thee descend, and Heaven to Earth make love! Hail, active Nature's watchful life and health! Say, from what golden quivers of the sky Do all thy winged arrows fly ? Swiftness and Power by birth are thine: Divine, The ghosts, and monster-spirits, that did presume A body's privilege to assume, Vanish again invisibly, From thy great sire they came, thy sire, the Word And bodies gain again their visibility. 'Tis, I believe, this archery to show, That so much cost in colours thou, Upon thy ancient arms, the gaudy heavenly bow. Swift as light thoughts their empty career run, Thy race is finish'd when begun; And thou the goal of Earth shalt reach as soon as he. Thou in the Moon's bright chariot, proud and gay, Of thousand flowery lights thine own nocturnal spring. Night, and her ugly subjects, thou dost fright, And Sleep, the lazy owl of night; Asham'd, and fearful to appear, All the world's bravery, that delights our eyes, Thou the rich dye on them bestow'st, Thy nimble pencil paints this landscape as thou go'st. A crimson garment in the rose thou wear'st; Are clad but with the lawn of almost naked light. The violet, Spring's little infant, stands Thou cloth'st it in a gay and party-colour'd coat. With flame condens'd thou do'st thy jewels fix, Flowers fairer than her own, and durable as she. Ah, goddess! would thou could'st thy hand withhold, Of how much care, alas! might'st thou poor man relieve! To me the Sun is more delightful far, And all fair days much fairer are. Who do not gold prefer, O goddess! ev'n to thee. They screen their horrid shapes with the black Through the soft ways of Heaven, and air, and sea, hemisphere. With them there hastes, and wildly takes th' alarm, Of painted dreams a busy swarm : The various clusters break, the antic atoms fly The guilty serpents, and obscener beasts, Creep, conscious, to their secret rests : Ill omens and ill sights removes out of thy way. At thy appearance, Grief itself is said To shake his wings, and rouse his head: A gentle beamy smile, reflected from thy look. At thy appearance, Fear itself grows bold; Thy sun-shine melts away his cold. Encouraged at the sight of thee, Which open all their pores to thee, Like a clear river thou dost glide, And with thy living stream through the close channels slide. But, where firm bodies thy free course oppose, Of colours mingled light, a thick and standing lake. But the vast ocean of unbounded day, In th' empyræan Heaven does stay. Thy rivers, lakes, and springs, below, From thence took first their rise, thither at last must flow. AGAINST HOPE. HOPE! whose weak being ruin'd is, To the cheek colour comes, and firmness to the Alike, if it succeed, and if it miss; knee. Ev'n Lust, the master of a harden'd face, Blushes, if thou be'st in the place, In sympathising night he rolls his smoky fires. When, goddess! thou lift'st up thy waken'd head, And all the joyful world salutes the rising day. Thou bring'st us an estate, yet leav'st us poor, By clogging ing it with legacies before! The joys which we entire should wed, Come deflower'd virgins to our bed; Good fortunes without gain imported be, Such mighty custom's paid to thee. For joy, like wine, kept close does better taste; If it take air before, its spirits waste. Hope! Fortune's cheating lottery ! Where for one prize an hundred blanks there be; Fond archer, Hope! who tak'st thy aim so far, That still or short or wide thine arrows are! Thin, empty cloud, which th' eye deceives Brother of Fear, more gayly clad! By the strange witchcraft of "anon!" FOR HOPE. HOPE! of all ills that men endure, Thou manna, which from Heaven we eat, Thou strong retreat! thou sure-entail'd estate, Hope! thou first-fruits of happiness! Who out of Fortune's reach dost stand, Whilst thee, her earnest-money, we retain, Brother of Faith! 'twixt whom and thee Only the future's thine, the present his! Thine's the more hard and noble bliss : Best apprehender of our joys! which hast So long a reach, and yet canst hold so fast! Hope! thou sad lovers' only friend! Thou Way, that may'st dispute it with the End! For love, I fear, 's a fruit that does delight The taste itself less than the smell and sight. Fruition more deceitful is Than thou canst be, when thou dost miss; Men leave thee by obtaining, and straight flee Some other way again to thee; And that's a pleasant country, without doubt, To which all soon return that travel out. CLAUDIAN'S OLD MAN OF VERONA. DE SENE VERONENSI, QUI SUBURBIUM NUNQUAM EGRESSUS EST. FELIX, qui patriis, &c. HAPPY the man, who his whole time doth bound THE WISH. WELL, then; I now do plainly see Does of all meats the soonest cloy; Who for it can endure the stings, Ah, yet, ere I descend to th' grave, A mistress moderately fair, Only belov'd, and loving me! Oh, fountains! when in you shall I Myself, eas'd of unpeaceful thoughts, espy? Oh fields! oh woods! when, when shall I be made The happy tenant of your shade ? Here's the spring-head of Pleasure's flood; Where all the riches lie, that she Has coin'd and stamp'd for good. Pride and ambition here Only in far-fetch'd metaphors appear; Though so exalted she, And I so lowly be, Tell her, such different notes make all thy har mony. Hark! how the strings awake: Here nought but winds can hurtful murmurs scatter, And, though the moving hand approach not near, And nought but Echo flatter. The gods, when they descended, hither From Heaven did always chuse their way; And therefore we may boldly say, That 'tis the way too thither. How happy here should I, And one dear she, live, and embracing die! She, who is all the world, and can exclude In deserts solitude. I should have then this only fear Lest men, when they my pleasures see, Should hither throng to live like me, And so make a city here. FROM THE DAVIDEIS. AWAKE, awake, my Lyre! And tell thy silent master's humble tale In sounds that may prevail; Sounds that gentle thoughts inspire: Themselves with awful fear, A kind of numerous trembling make. Now all thy forces try, Now all thy charms apply, Revenge upon her ear the conquests of her eye. Weak Lyre! thy virtue sure Is useless here, since thou art only found Physic to other ills, thou'rt nourishment to love. Sleep, sleep again, my Lyre! For thou canst never tell my humble tale In sounds that will prevail; Nor gentle thoughts in her inspire: All thy vain mirth lay by, Bid thy strings silent lie, Sleep, sleep again, my Lyre; and let thy master was descended from an ancient family, settled at Milton, in Oxfordshire. His father, whose desertion of the Roman Catholic faith was the cause of his disinheritance, settled in London as a scrivener, and marrying a woman of good family, had two sons and a daughter. John, the eldest son, was born in Bread-street, on December 9.1608. He received the rudiments of learning from a domestic tutor, Thomas Young, afterwards chaplain to the English merchants at Hamburg, whose merits are gratefully commemorated by his pupil, in a Latin elegy. At a proper age he was sent to St. Paul's school, and there began to distinguish himself by his intense application to study, as well as by his poetical talents. In his sixteenth year he was removed to Christ's college, Cambridge, where he was admitted a pensioner, under the tuition of Mr. W. Chappel. die. JOHN MILTON. JOHN MILTON, a poet of the first rank in eminence, ❘ poem, of great elegance. He left Italy by the way of Of his course of studies in the university little is known; but it appears, from several exercises preserved in his works, that he had acquired extraordinary skill in writing Latin verses, which are of a purer taste than any preceding compositions of the kind by English scholars. He took the degrees both of Bachelor and Master of Arts; the latter in 1632, when he left Cambridge. He renounced his original intention of entering the church, for which he has given as a reason, that, "coming to some maturity of years, he had perceived what tyranny had invaded it;" which denotes a man early habituated to think and act for himself. He now returned to his father, who had retired from business to a residence at Horton, in Buckinghamshire; and he there passed five years in the study of the best Roman and Grecian authors, and in the composition of some of his finest miscellaneous poems. This was the period of his Allegro and Penseroso, his Comus and Lycidas. That his learning and talents had at this time attracted considerable notice, appears from an application made to him from the Bridgewater family, which produced his 'admirable masque of "Comus," performed in 1634, at Ludlow Castle, before the Earl of Bridgewater, then Lord President of Wales; and also by his "Arcades," part of an entertainment presented to the Countess Dowager of Derby, at Harefield, by some of her family. In 1638, he obtained his father's leave to improve himself by foreign travel, and set out for the continent. Passing through France, he proceeded to Italy, and spent a considerable time in that seat of the arts and of literature. At Naples he was kindly received by Manso, Marquis of Villa, who had long before deserved the gratitude of poets by his patronage of Tasso; and, in return for a laudatory distich of Manso, Milton addressed to him a Latin | Geneva, where he contracted an acquaintance with two learned divines, John Diodati and Frederic Spanheim; and he returned through France, having been absent about a year and three months. On his arrival, Milton found the nation agitated by civil and religious disputes, which threatened a crisis; and as he had expressed himself impatient to be present on the theatre of contention, it has been thought extraordinary that he did not immediately place himself in some active station. But his turn was not military; his fortune precluded a seat in parliament; the pulpit he had declined; and for the bar he had made no preparation. His taste and habits were altogether literary; for the present, therefore, he fixed himself in the metropolis, and undertook the education of his sister's two sons, of the name of Philips. Soon after, he was applied to by several parents to admit their children to the benefit of his tuition. He therefore took a commodious house in Aldersgate-street, and opened an academy. Disapproving the plan of education in the public schools and universities, he deviated from it as widely as possible. He put into the hands of his scholars, instead of the common classics, such Greek and Latin authors as treated on the arts and sciences, and on philosophy; thus expecting to instil the knowledge of things with that of words. We are not informed of the result of his plan; but it will appear singular that one who had himself drunk so deeply at the muse's fount, should withhold the draught from others. We learn, however, that he performed the task of instruction with great assiduity. Milton did not long suffer himself to lie under the reproach of having neglected the public cause in his private pursuits; and, in 1641, he published four treatises relative to church-government, in which he gave the preponderance to the presbyterian form above the episcopalian. Resuming the same controversy in the following year, he numbered among his antagonists such men as Bishop Hall and Archbishop Usher. His father, who had been disturbed by the king's troops, now came to live with him; and the necessity of a female head of such a house, caused Milton, in 1643, to form a connection with the daughter of Richard Powell, Esq., a magistrate of Oxfordshire. This was, in several respects, an unhappy marriage; for his father-inlaw was a zealous royalist, and his wife had accustomed herself to the jovial hospitality of that party. She had not, therefore, passed above a month in her husband's house, when, having procured an invitation from her father, she went to pass the summer in his mansion. Milton's invitations for her return were treated with contempt; upon which, regarding her conduct as a desertion which broke the nuptial contract, he determined to punisha |