The Holocaust in French FilmScarecrow Press, 1993 - 435 pagine This pioneering study analyzes representations of the Holocaust in French cinema from 1940 on. Through the use of such pivotal films as Night and Fog, The Sorrow and the Pity, and Shoah, it examines the difficulties with which French cinema answers three main questions: What happened, who is responsible, and how can we be sure we will never forget? Colombat then provides detailed analyses of the most widely praised French films dealing with the Holocaust (including works by Orphuls, Losey, and Malle). The book also contains film stills, a detailed filmography, bibliography, index, and a lengthy interview with director Pierre Sauvage. |
Dall'interno del libro
Risultati 1-3 di 51
Pagina 90
... propaganda . It is only in the end of the film that Jünger is told about the extermination of the Lodz Ghetto , the revolt of the Warsaw Ghetto , the gas vans and the Holocaust taking place in central Europe . The film ends with the ...
... propaganda . It is only in the end of the film that Jünger is told about the extermination of the Lodz Ghetto , the revolt of the Warsaw Ghetto , the gas vans and the Holocaust taking place in central Europe . The film ends with the ...
Pagina 192
... propaganda film as such . This rejection of pure propaganda , in the forties and in the seventies , is precisely the theme of the following segments . The next film segments of the time show the credits and the end of The Jew Süss , the ...
... propaganda film as such . This rejection of pure propaganda , in the forties and in the seventies , is precisely the theme of the following segments . The next film segments of the time show the credits and the end of The Jew Süss , the ...
Pagina 193
... propaganda and films like The Jew Süss . However , because no segments of the majority of other French films made at that time are presented , the central idea here is that cinema was a key tool of the anti - Semitic propaganda and that ...
... propaganda and films like The Jew Süss . However , because no segments of the majority of other French films made at that time are presented , the central idea here is that cinema was a key tool of the anti - Semitic propaganda and that ...
Sommario
Persecution in the Golden Age of French Cinema | 7 |
Deportation Resistance and Betrayal | 19 |
Nazis Collaborators and the Holocaust | 29 |
Copyright | |
7 sezioni non visualizzate
Parole e frasi comuni
Alain Resnais analysis analyze anti-Semitism audience Auschwitz Barbie's black and white Cahiers du cinéma camera Cayrol Chambon character children of Izieu Claude Lanzmann Claude Lanzmann's Collaboration committed Consequently crimes death Deguy deportation directly director documentary European Jews extermination extremely feelings final France French cinema German Ghetto Goodbye Children happened hiding historical footage Holocaust Hotel Terminus images important individual Insdorf insists interpretation interview irony Izieu Jean Jewish Jews Julien Klaus Barbie Korczak Lacombe Lucien Lanzmann Le Chambon Louis Malle Malle Malle's Marcel Ophüls Memory of Justice Mendès-France Michel montage Nazis never newsreel Night and Fog Occupation Paris past persecution Pétain Pierre Sauvage's Pity played political precisely Prédal present propaganda questions reality representation Résistance responsibility reveal Robert Klein role Sauvage scene segment sequence Shoah shot showing shown Sorrow spectator story survivors tell testimonies themes throughout the film totally trial understand Vichy victims violent witnesses