Synectics: the development of creative capacityHarper, 1961 - 180 pagine |
Dall'interno del libro
Risultati 1-3 di 29
Pagina 17
... course the most ele- gant solution would be to have a dial . . . no gears . My God , there must be two hundred gears in this model ! I don't want any gears . That's of course impossible , but just the same , how can the spring itself do ...
... course the most ele- gant solution would be to have a dial . . . no gears . My God , there must be two hundred gears in this model ! I don't want any gears . That's of course impossible , but just the same , how can the spring itself do ...
Pagina 22
... course of our series of interviews we found that artists in general were more articulate than technical people about their subconscious or subjective mental activity . In the course of the experiment , members of the Rock Pool group won ...
... course of our series of interviews we found that artists in general were more articulate than technical people about their subconscious or subjective mental activity . In the course of the experiment , members of the Rock Pool group won ...
Pagina 123
... course , a handy way to narrow and focus a problem . Unfortunately it also means the rejection , as foreign and extraneous , of the rich potential of meta- phoric and analogic associations . The ability and willingness to use the ...
... course , a handy way to narrow and focus a problem . Unfortunately it also means the rejection , as foreign and extraneous , of the rich potential of meta- phoric and analogic associations . The ability and willingness to use the ...
Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
Copyright | |
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Aesthetic Albert Einstein apparently irrelevant artist attempt Autonomy of Object basic breakthrough Cambridge candidate chromatophores client commonplace concept concrete conscious creative activity creative process described developed Direct Analogy entropy Euclidean geometry Euclidean system example experience familiar strange Fantasy Analogy feeling function G. P. Putnam's Sons group members Harvard University Hedonic Response Henry human imagination implied Indian rope trick individual industrial insight interview intuition invention inventor involved jacking mechanism kind language lichens logical London look Louie Macmillan mean metaphor mind observed operational mechanisms paint Personal Analogy phase Philosophical play potential practice problem as understood problem-solving problem-stating Psychoanalysis psychological reduction to practice result roof Science scientific selection sessions solution spring success Symbolic Analogy Synectics group Synectics operation Synectics research Synectics theory Synectors tapes technical technique things tion University Press viewpoint William words York