Synectics: the development of creative capacityHarper, 1961 - 180 pagine |
Dall'interno del libro
Risultati 1-3 di 21
Pagina 39
... hold I guess at least one hand , that is . . . the one that's acting like a clutch slipping . C : B , how about you hopping into the box . • B : I see myself in there but I can't do anything because I don't have anything to measure rpm ...
... hold I guess at least one hand , that is . . . the one that's acting like a clutch slipping . C : B , how about you hopping into the box . • B : I see myself in there but I can't do anything because I don't have anything to measure rpm ...
Pagina 107
... hold . It is left to our minds to complete the connection . This encourages us to see and feel much or little , depending upon our richness of association , thus opening the possibility of putting our preconscious minds to work . Simile ...
... hold . It is left to our minds to complete the connection . This encourages us to see and feel much or little , depending upon our richness of association , thus opening the possibility of putting our preconscious minds to work . Simile ...
Pagina 122
... hold forces us to act with a maker's responsibility rather than an inheritor's passive acceptance . This attitude of active responsibility in turn modifies our view of the " real world " whose pre - packaged ruling concepts lose their ...
... hold forces us to act with a maker's responsibility rather than an inheritor's passive acceptance . This attitude of active responsibility in turn modifies our view of the " real world " whose pre - packaged ruling concepts lose their ...
Sommario
THE OPERATIONAL MECHANISMS | 33 |
SYNECTICS IN THE INDUSTRIAL MODEL | 57 |
THE COMMONPLACE AND EXPERTISE | 92 |
Copyright | |
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Aesthetic Albert Einstein apparently irrelevant artist attempt Autonomy of Object basic breakthrough Cambridge candidate chromatophores client commonplace concept concrete conscious creative activity creative process described developed Direct Analogy entropy Euclidean geometry Euclidean system example experience familiar strange Fantasy Analogy feeling function G. P. Putnam's Sons group members Harvard University Hedonic Response Henry human imagination implied Indian rope trick individual industrial insight interview intuition invention inventor involved jacking mechanism kind language lichens logical London look Louie Macmillan mean metaphor mind observed operational mechanisms paint Personal Analogy phase Philosophical play potential practice problem as understood problem-solving problem-stating Psychoanalysis psychological reduction to practice result roof Science scientific selection sessions solution spring success Symbolic Analogy Synectics group Synectics operation Synectics research Synectics theory Synectors tapes technical technique things tion University Press viewpoint William words York