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Pagina 294
Now, all this is included in the concept empathy. It constitutes the very meaning of
this concept. Empathy is the fact here established, that the object is myself and by
the very same token this self of mine is the object. Empathy is the fact that the ...
Now, all this is included in the concept empathy. It constitutes the very meaning of
this concept. Empathy is the fact here established, that the object is myself and by
the very same token this self of mine is the object. Empathy is the fact that the ...
Pagina 309
it worth while to warn the Reader, especially as, while so doing, I can, in showing
what it is not, make it even clearer what Empathy really is. The first of these two
main misinterpretations is based upon the reflexive form of the German verb "sich
...
it worth while to warn the Reader, especially as, while so doing, I can, in showing
what it is not, make it even clearer what Empathy really is. The first of these two
main misinterpretations is based upon the reflexive form of the German verb "sich
...
Pagina 310
But although nowhere so fostered as in the contemplation of shapes, Empathy
exists or tends to exist throughout our mental life. It is, indeed, one of our simpler,
though far from absolutely elementary, psychological processes, entering into ...
But although nowhere so fostered as in the contemplation of shapes, Empathy
exists or tends to exist throughout our mental life. It is, indeed, one of our simpler,
though far from absolutely elementary, psychological processes, entering into ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words