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Pagina v
Distance' as a Factor in Art and an ^Esthetic Principle"; to Jose Ortega y Gasset,
for excerpts from his La Deshu- ... for excerpts from The Foundations of JEsthetics
, by C. K. Ogden, I. A. Richards, and James Wood; to Alfred A. Knopf, Inc., ...
Distance' as a Factor in Art and an ^Esthetic Principle"; to Jose Ortega y Gasset,
for excerpts from his La Deshu- ... for excerpts from The Foundations of JEsthetics
, by C. K. Ogden, I. A. Richards, and James Wood; to Alfred A. Knopf, Inc., ...
Pagina 379
In other words, the balance of impulses makes us feel the object a unity. And this
balance of ... to which nothing else exists. —Psychology of Beauty (1905) G K.
OGDEN, I. A. RICHARDS and JAMES WOOD Synaesthesis ETHEL D. PUFFER
379.
In other words, the balance of impulses makes us feel the object a unity. And this
balance of ... to which nothing else exists. —Psychology of Beauty (1905) G K.
OGDEN, I. A. RICHARDS and JAMES WOOD Synaesthesis ETHEL D. PUFFER
379.
Pagina 490
CHAPTER X: THEORIES OF ISOLATION AND EQUILIBRIUM Works by Hugo
Miinsterberg, Ethel Puffer (Mrs. E. D. P. Howes), Charles K. Ogden, I. A. Richards,
and James Wood. Miinsterberg: The Principles of Art Education. New York,
Boston ...
CHAPTER X: THEORIES OF ISOLATION AND EQUILIBRIUM Works by Hugo
Miinsterberg, Ethel Puffer (Mrs. E. D. P. Howes), Charles K. Ogden, I. A. Richards,
and James Wood. Miinsterberg: The Principles of Art Education. New York,
Boston ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
Copyright | |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words