Dall'interno del libro
Risultati 1-3 di 19
Pagina 217
We are not trying to decide whether classicism or romanticism is right, not
whether these words have been correctly defined, but we are trying to abolish an
antithesis which every one feels to be arbitrary. The "classic" idea of classicism
will ...
We are not trying to decide whether classicism or romanticism is right, not
whether these words have been correctly defined, but we are trying to abolish an
antithesis which every one feels to be arbitrary. The "classic" idea of classicism
will ...
Pagina 219
In these three extraordinary men we see classicism in its unforeseen and
uncoordinated first promptings, we see judgment irresistibly invading them, an
invasion all the more significant since this judgment has freed itself from
scholastic logic ...
In these three extraordinary men we see classicism in its unforeseen and
uncoordinated first promptings, we see judgment irresistibly invading them, an
invasion all the more significant since this judgment has freed itself from
scholastic logic ...
Pagina 221
Classicism strives to be complete, even to its own detriment, and it does not feel
itself complete unless it appeals to the intelligence. The desire to judge, and to
order one's life by judgment, concerns more than mere abstract activity; it is no ...
Classicism strives to be complete, even to its own detriment, and it does not feel
itself complete unless it appeals to the intelligence. The desire to judge, and to
order one's life by judgment, concerns more than mere abstract activity; it is no ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words