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Pagina 41
As regards other kinds of play we are only justified in thinking it probable that
such a consciousness of shamming is present; that monkeys, for instance, labor
under a kind of mock excitement when they indulge their destructive impulses,
and ...
As regards other kinds of play we are only justified in thinking it probable that
such a consciousness of shamming is present; that monkeys, for instance, labor
under a kind of mock excitement when they indulge their destructive impulses,
and ...
Pagina 42
Since Lange, both here and in a later article, has found conscious self-deception
also in the other arts,8 1 think it is admissible to include it among the other plays,
always with the proviso that consciousness of the sham character of the act is ...
Since Lange, both here and in a later article, has found conscious self-deception
also in the other arts,8 1 think it is admissible to include it among the other plays,
always with the proviso that consciousness of the sham character of the act is ...
Pagina 49
In many cases the leaping over of our consciousness to the real I is conceivable,
but in the most intense enjoyment this off-shooting of consciousness does not
take place, and we must suppose an unconscious connection between the real ...
In many cases the leaping over of our consciousness to the real I is conceivable,
but in the most intense enjoyment this off-shooting of consciousness does not
take place, and we must suppose an unconscious connection between the real ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words