Dall'interno del libro
Risultati 1-3 di 32
Pagina xxv
We can give the sources of a drama, compare it to others, and make it the subject
of an infinite series of judgments. But the point is that such knowledge does not
constitute the act of apprehending the drama qua drama, i.e., seeing it acted and
...
We can give the sources of a drama, compare it to others, and make it the subject
of an infinite series of judgments. But the point is that such knowledge does not
constitute the act of apprehending the drama qua drama, i.e., seeing it acted and
...
Pagina 185
This is indeed the impression we get after seeing a stirring drama. What has just
interested us is not so much what we have been told about others as the glimpse
we have caught of ourselves— a whole host of ghostly feelings, emotions and ...
This is indeed the impression we get after seeing a stirring drama. What has just
interested us is not so much what we have been told about others as the glimpse
we have caught of ourselves— a whole host of ghostly feelings, emotions and ...
Pagina 337
The tragic of tragedy would, transposed into ordinary life, in nine cases out of ten,
end in drama, in comedy, even in farce, for lack of steadfastness, for fear of
conventions, for the dread of "scenes," for a hundred-and-one petty
faithlessnesses ...
The tragic of tragedy would, transposed into ordinary life, in nine cases out of ten,
end in drama, in comedy, even in farce, for lack of steadfastness, for fear of
conventions, for the dread of "scenes," for a hundred-and-one petty
faithlessnesses ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words