A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 256
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
... esthetic emotion collapses , and I begin weav- ing into the harmonies , that I cannot grasp , the ideas of life . Incapable of feeling the austere emotions of art , I begin to read into the musical forms human emotions of terror and ...
Pagina 260
... esthetic emotion to the same world of esthetic ecstasy . II The Metaphysical Hypothesis It seems to me possible , though by no means certain , that created form moves us so profoundly because it expresses the emotion of its creator ...
... esthetic emotion to the same world of esthetic ecstasy . II The Metaphysical Hypothesis It seems to me possible , though by no means certain , that created form moves us so profoundly because it expresses the emotion of its creator ...
Pagina 265
... feelings . For the moment I must be dogmatic and declare that the esthetic emotion is an emotion about form . In certain peo- ple , purely formal relations of certain kinds arouse pe- culiarly profound emotions , or rather I ought to ...
... feelings . For the moment I must be dogmatic and declare that the esthetic emotion is an emotion about form . In certain peo- ple , purely formal relations of certain kinds arouse pe- culiarly profound emotions , or rather I ought to ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words