A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
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Pagina 288
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
Pagina 288
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
... object and absorbed therein . Nevertheless , what gives esthetic import to the object , what constitutes the ground of its enjoyment , is this very act of contemplation . The mind unconsciously enlivens the outward form by fusing into ...
Pagina 291
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
... Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored in some specific way and ever dif- ferent in each new esthetic object - a pleasure caused by viewing the object . In this experience the esthetic object ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words