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Pagina 49
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry. I have throughout this whole treatise spoken not of the idea
but ...
We have found such a connection in the feeling of being a cause without going
into the nature of these psychic adjuncts of make-believe. This is now the place
for such an inquiry. I have throughout this whole treatise spoken not of the idea
but ...
Pagina 101
that a man receiving through his sense of hearing or sigKr. another man's
expression of feeling, is capable of experiencing the emotion which moved the
man who expressed it. To/t:#;e. the simplest example: one man laughs, and
another, ...
that a man receiving through his sense of hearing or sigKr. another man's
expression of feeling, is capable of experiencing the emotion which moved the
man who expressed it. To/t:#;e. the simplest example: one man laughs, and
another, ...
Pagina 291
Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored
in some specific way and ever different in each new esthetic object— a pleasure
caused by viewing the object. In this experience the esthetic object is always ...
Esthetic enjoyment is a feeling of pleasure or joy in each individual case colored
in some specific way and ever different in each new esthetic object— a pleasure
caused by viewing the object. In this experience the esthetic object is always ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words