A Modern Book of Esthetics: An AnthologyH. Holt, 1935 - 504 pagine |
Dall'interno del libro
Risultati 1-3 di 82
Pagina 95
... ideas , and , through them , to manifest the power of conception and expansion possessed by the artist , must obviously be estimated , partly at least , by the moral or other value of the ideas and senti- ments in question . And , as ...
... ideas , and , through them , to manifest the power of conception and expansion possessed by the artist , must obviously be estimated , partly at least , by the moral or other value of the ideas and senti- ments in question . And , as ...
Pagina 216
... ideas . The new champions of classicism are trying , on the contrary , to give form to an altogether modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines ...
... ideas . The new champions of classicism are trying , on the contrary , to give form to an altogether modern world . They bear the stamp of impressionism , symbolism , the philosophy of intuition , and the ideas to which these doctrines ...
Pagina 217
... ideas teaches a very different lesson . In reality , a living classi- cism is the culmination of a romantic growth ; by no means its denial , but rather its reformation and its apotheosis . Romanticism is concerned with foraging for ...
... ideas teaches a very different lesson . In reality , a living classi- cism is the culmination of a romantic growth ; by no means its denial , but rather its reformation and its apotheosis . Romanticism is concerned with foraging for ...
Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation artist balance beauty become C. K. OGDEN called cause character classicism CLIVE BELL color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand HUGO MÜNSTERBERG human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic OSWALD SPENGLER ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm ROGER FRY romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words