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Pagina 378
We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion; we
cannot rescue Ophelia or enlighten Juliet; and of impulse to interfere, to connect
the scene with ourselves, we have none. But this is a less important factor in the ...
We cannot eat the grapes of Apelles or embrace the Galatea of Pygmalion; we
cannot rescue Ophelia or enlighten Juliet; and of impulse to interfere, to connect
the scene with ourselves, we have none. But this is a less important factor in the ...
Pagina 383
2 As we realize beauty we become more fully ourselves the more our impulses
are engaged. If, as is sometimes alleged, we are the whole complex of our
impulses, this fact would explain itself. Our interest is not canalized in one
direction ...
2 As we realize beauty we become more fully ourselves the more our impulses
are engaged. If, as is sometimes alleged, we are the whole complex of our
impulses, this fact would explain itself. Our interest is not canalized in one
direction ...
Pagina 404
In so far as the phonograph and the radio do away with the impulse to sing, in so
far as the camera does away with the impulse to see, in so far as the automobile
does away with the impulse to walk, the machine leads to a lapse of function ...
In so far as the phonograph and the radio do away with the impulse to sing, in so
far as the camera does away with the impulse to see, in so far as the automobile
does away with the impulse to walk, the machine leads to a lapse of function ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words