Dall'interno del libro
Risultati 1-3 di 67
Pagina 105
The stronger the infection the better is the art, as art, speaking now apart from its
subject-matter— that is, not considering the quality of the feelings it transmits. . . .
How in art are we to decide what is good and what is bad in subject-matter?
The stronger the infection the better is the art, as art, speaking now apart from its
subject-matter— that is, not considering the quality of the feelings it transmits. . . .
How in art are we to decide what is good and what is bad in subject-matter?
Pagina 214
Integrity and proportion have no absolute significance and must be understood
solely in relation to the end of the work, which is to make a form shine on the
matter. Last and most important: this very brilliance of form, the essence of beauty
, ...
Integrity and proportion have no absolute significance and must be understood
solely in relation to the end of the work, which is to make a form shine on the
matter. Last and most important: this very brilliance of form, the essence of beauty
, ...
Pagina 464
It is sometimes said that art is the expression of the emotions; with the implication
that, because of this fact, subject-matter is of no significance except as material
through which emotion is expressed. Hence art becomes unique. For in works of
...
It is sometimes said that art is the expression of the emotions; with the implication
that, because of this fact, subject-matter is of no significance except as material
through which emotion is expressed. Hence art becomes unique. For in works of
...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words