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Pagina 141
The passage from sensation to perception is gradual, and the path may be
sometimes retraced: so it is with beauty and the pleasures of sensation. There is
no sharp line between them, but it depends upon the degree of objectivity my
feeling ...
The passage from sensation to perception is gradual, and the path may be
sometimes retraced: so it is with beauty and the pleasures of sensation. There is
no sharp line between them, but it depends upon the degree of objectivity my
feeling ...
Pagina 157
Half-way between the passivity of sensation and the activity of imagination is "day
-dreaming" or fancy. It is art only in the making, because it lacks the unity of
genuine intuition. Fancy is too passive; it allows images and sensations to float
lazily ...
Half-way between the passivity of sensation and the activity of imagination is "day
-dreaming" or fancy. It is art only in the making, because it lacks the unity of
genuine intuition. Fancy is too passive; it allows images and sensations to float
lazily ...
Pagina 302
In short, A cannot equal non-A. Empathy means, not a sensation in one's body,
but feeling something, namely, oneself, into the esthetic object. Hitherto I have
assumed that the object of the esthetic contemplation is a human movement, ...
In short, A cannot equal non-A. Empathy means, not a sensation in one's body,
but feeling something, namely, oneself, into the esthetic object. Hitherto I have
assumed that the object of the esthetic contemplation is a human movement, ...
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Sommario
VOLUNTARISTIC THEORIES | 53 |
EMOTIONALIST THEORIES | 81 |
HEDONISTIC THEORIES | 115 |
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Parole e frasi comuni
abstract activity appears appreciation Aristotle artist balance beauty become BENEDETTO CROCE BERNARD BOSANQUET called cause character classicism Clive Bell color conception connection consciousness Croce Dionysian Distance distinction drama effect elements Empathy esthetic emotion esthetic enjoyment esthetic object estheticians existence expression fact feeling fighting games formal give Greek hand human I. A. RICHARDS ideal ideas illusion imagination imitation impulse individual intellectual intuition isolation judgment kind knowledge labor less lines living machine matter means ment merely mind modern moral movement nature organic Oswald Spengler ourselves painting perception philosophy physical picture play pleasure poetry practical present principle production Psychology of Beauty pure RAMON FERNANDEZ reality relations rhythm Roger Fry romanticism satisfaction sculpture sensation sense sensuous social soul spiritual T. E. Hulme THEODOR LIPPS theory things thought tion true truth unity whole words
Informazioni bibliografiche
| Titolo | A Modern Book of Esthetics: An Anthology |
| Curatore | Melvin Miller Rader |
| Edizione | 3 |
| Editore | H. Holt, 1935 |
| Lunghezza | 504 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |