The Western Humanities Review, Volume 69,Edizione 1Utah Humanities Research Foundation, 2015 |
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Pagina 81
... bateau ivre . " Where critical comparison can be constrained by formality , and personal artistic vision sets Moore and Bergvall's pieces apart , the following flotilla means to be generative , to be aggressively plurivocal , to make ...
... bateau ivre . " Where critical comparison can be constrained by formality , and personal artistic vision sets Moore and Bergvall's pieces apart , the following flotilla means to be generative , to be aggressively plurivocal , to make ...
Pagina 82
... Bateau ivre , " the boat narrates its own ecstatic story of breaking free from its sailors , becoming " drunk " on the seawater that slowly drags it down , finally throwing off any sense of defined course and spiraling into possibility ...
... Bateau ivre , " the boat narrates its own ecstatic story of breaking free from its sailors , becoming " drunk " on the seawater that slowly drags it down , finally throwing off any sense of defined course and spiraling into possibility ...
Pagina 103
... Bateau ivre " by Arthur Rimbaud , I felt enthusiastic about the concept and excited to have the oppor- tunity to reread " Bateau . " After all , it was over a decade ago that I first read Norma Cole's " Nines and Tens : A Talk On ...
... Bateau ivre " by Arthur Rimbaud , I felt enthusiastic about the concept and excited to have the oppor- tunity to reread " Bateau . " After all , it was over a decade ago that I first read Norma Cole's " Nines and Tens : A Talk On ...
Sommario
John Tranter | 54 |
Joseph Mosconi | 60 |
Rachel Blau DuPlessis | 69 |
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