Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green and Company, 1938 - 308 pagine |
Dall'interno del libro
Risultati 1-3 di 42
Pagina 39
... Action Another device which the radio dramatist must employ whenever necessary is the writing of dialogue which de- scribes action as it takes place , and which also is descriptive of the setting and general circumstances under which the ...
... Action Another device which the radio dramatist must employ whenever necessary is the writing of dialogue which de- scribes action as it takes place , and which also is descriptive of the setting and general circumstances under which the ...
Pagina 51
... action requires the use of dialogue , together with certain sound - effects . Basically , the dialogue will carry for- ward the action , while the sound - effects will work on listen- ers ' imaginations to create much the same reactions ...
... action requires the use of dialogue , together with certain sound - effects . Basically , the dialogue will carry for- ward the action , while the sound - effects will work on listen- ers ' imaginations to create much the same reactions ...
Pagina 55
... action will be registered entirely by sound - effects , which require much less time than action of characters on a visible stage . By comparison of the stage and radio versions , it will be observed that every slightest action , which ...
... action will be registered entirely by sound - effects , which require much less time than action of characters on a visible stage . By comparison of the stage and radio versions , it will be observed that every slightest action , which ...
Sommario
2 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
THE MECHANICS OF RADIO Drama | 3 |
THE ORIGINAL RADIO DRAMA | 4 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written