Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green and Company, 1938 - 308 pagine |
Dall'interno del libro
Risultati 1-3 di 28
Pagina 280
... actor , but also the depth of emotion and character portrayal of which he is capable . Some groups of actors naturally work well together . Oth- ers do not . Some voices register through the microphone with such similar characteristics ...
... actor , but also the depth of emotion and character portrayal of which he is capable . Some groups of actors naturally work well together . Oth- ers do not . Some voices register through the microphone with such similar characteristics ...
Pagina 281
... actors do not take their places at the microphone . Until they have be- come thoroughly familiar with their parts and with the character portrayals of the various members of the cast , pre- liminary readings generally take place with actors ...
... actors do not take their places at the microphone . Until they have be- come thoroughly familiar with their parts and with the character portrayals of the various members of the cast , pre- liminary readings generally take place with actors ...
Pagina 283
... actors to start speeding up their per- formance of a script . Unless the director realizes the exact pace at which actors are reading , the tendency for actors to hasten their reading will bring the performance to the point where it ...
... actors to start speeding up their per- formance of a script . Unless the director realizes the exact pace at which actors are reading , the tendency for actors to hasten their reading will bring the performance to the point where it ...
Sommario
2 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
THE MECHANICS OF RADIO Drama | 3 |
THE ORIGINAL RADIO DRAMA | 4 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written