Practical Radio Writing: The Technique of Writing for Broadcasting Simply and Thoroughly ExplainedLongmans, Green and Company, 1938 - 308 pagine |
Dall'interno del libro
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Pagina 11
... half - hour and hour programs are heard once a week . Such a program can follow the same general routine , week after week , with slight changes in talent and a weekly change in material without losing its appeal . The case is different ...
... half - hour and hour programs are heard once a week . Such a program can follow the same general routine , week after week , with slight changes in talent and a weekly change in material without losing its appeal . The case is different ...
Pagina 57
... half - hour is the ideal unit of time . This length of program is to radio what the usual three - act play is to the stage . The average playing time of a stage drama is about two hours ; in radio , where the visual appeal is lacking ...
... half - hour is the ideal unit of time . This length of program is to radio what the usual three - act play is to the stage . The average playing time of a stage drama is about two hours ; in radio , where the visual appeal is lacking ...
Pagina 67
... half - hour script , or of even one scene , is unnecessary for the purposes of this chapter . Probably while the dialogue is being written , a suitable title for the script will suggest itself . Titles have a way of presenting ...
... half - hour script , or of even one scene , is unnecessary for the purposes of this chapter . Probably while the dialogue is being written , a suitable title for the script will suggest itself . Titles have a way of presenting ...
Sommario
2 CONSIDERATIONS IN PLANNING A PROGRAM | 1 |
THE MECHANICS OF RADIO Drama | 3 |
THE ORIGINAL RADIO DRAMA | 4 |
Copyright | |
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Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katharine Seymour,John Tilden Waite Martin Visualizzazione estratti - 1938 |
Practical Radio Writing: The Technique of Writing for Broadcasting Simply ... Katherine Seymour,John Tilden Waite Martin Anteprima non disponibile - 2013 |
Parole e frasi comuni
action actors AD LIB adaptation advertising Alice ANNOUNCER appeal ATWOOD audience Aunt Jane basic Big Ben Chime Blake boarding house broadcasting company CALDWELL Captain Cavalcade of America Chapter characters CHIEF CHASE Chime Alarm Chingachgook comedy commercial credits Cooper CORA Dan McCarthy dialogue door DORIS dramatic programs effective electricity entertainment fact FADING FARADAY fire forms of presentation FRANKLIN GALVANI GOLIGHTLY grams guests half-hour HAWKEYE hear heard HEYWARD HOLMES idea important interest interview James Fenimore Cooper Jim Stebbins Jimmy Magua material medium microphone Miss McDonald musical program narrator National Broadcasting Company novel ORCHESTRA personality Peter Pettigrew plot radio director radio drama radio dramatist radio program radio writer rehearsal ring river scene serial sound sound-effects speech SPIER sponsor Sport stations story studio successful Susan talk tell Thales theme Thomas tion Uncas voice WHISPER written